The script is a giant game written by Wole Soyinka to showcase a group of barbaric portraits of African leaders in the Gulf of New York City Embassy. The play was deliberately written to show the similarities between recent historical figures/African leaders and long-term or one-time leaders in Africa, known for their dictatorial or authoritarian rule, including: Macias in Equatorial Guinea Nguema [deceased], Jean Basptiste Bokassa Central African Republic, Mobutu Sesekoko of Congo Kinshasa and heroic hero, Ugandan Marshal El-Haji Idi Amin.
The show began with three African dictatorships, Kamini, Kasco and Gunema, who are planning to acquire a life-size group sculpture. In their portraits. Their purpose is to make their statues part of other statues that will be placed on the stairs of the United Nations. Their discussion of power and governance was interrupted by the presence of the chairman of the Central Bank of Bugara, who brought the World Bank's refusal to provide the Bugara countries with the loan they applied for, based on the unsatisfactory conditions of President Bugaran, the lifelong president of Camini. The Ph.D. replied that the chairman should go back and agree to any conditions proposed by the World Bank, even if the body and soul of the Branland people were sacrificed.
However, the chairman's response to the president was because it touched the Bugaran currency printed by the central bank and said that the printing had no effect on the toilet paper. At the foot of the dictator, rushing the toilet on his head made him severely punished.
When the ambassador came in to inform them of the idea of where to put the leader, the leaders further continued their discussions. statue. They all agree with this and continue to discuss power and emphasize the importance of Voodoo. This conversation is followed by the speeches to be read, the questions of the preparers, the editors, and the importance of reading the leaders' hearings before the United Nations final or actual reading.
The sculptor was the next victim in the hands of Camini. He took him seriously through the hands of the Special Forces of the Task Force. He said that the statue of Camini is not worth facing the currency, but sitting in the Madame Tussauds. terror.
The fourth leader joined the scene in the first part, General Barra Tuboum of Nbangi-Guela, and Camini called Alexander the Great. After a brief discussion of the rebellion and the war, Mayor Hyacombe and his party had previously appeared Professor Betey; his arrival changed the discussion point to an imperialist conspiracy, calling them Alexander, Napoleon and other names. The mayor took the golden key.
The second part was opened by other African leaders organized by the Camini organization. The Secretary-General introduced that he was a senior civil servant. He missed the terrible anger of Camini. He said that the sculpture is assumed to be a figurine, small and placed in Bedo. Fen, Shakespeare or Lenin's bookshelf, later distributed. From the head to the foot, I saw the sculptor's bandage, the handwork of Kamini TF Specials.
With the arrival of two Russian and American delegations, the two Russian and US delegations had a further dialogue before Betey panicked that the coup had been held in Bugara. Soon after, TF Specials was asked to locate weapons, including the Bugara missile, to destroy the United Nations, thanks to the Secretary-General's escape and the belief that the delegates were involved in the coup. Next is the aggression of some people who grew up outside the embassy, protesting [singing] Camini should leave [handover].
At the end of the play, Camini shouted: Fire! Fire! ! Fire! ! !
Orignal From: Literary Review - Giants played by Wole Soyinka
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