The looping technique is simple. They can make smaller flowers and add a touch of sophistication to your work. Many flowers use the center of a pile of continuous single rings. In addition, you can combine many units of rings to make larger florets. You can add a continuous or very versatile border of a single loop of the pinch ring to add a hem effect to the petals or leaves.
A continuous single cycle is a single cycle that is formed in a straight line that is very close to each other. The rings can remain round and open, or shrink; the same size, or different sizes.
Make a small flower center consisting of five 10-bead rings: Move 20 beads to 3 inches from the end of the line. The loops of these beads are made by folding into two halves. Tighten twice. Near the bottom of the ring, no more than a quarter of an inch away, move more than 20 beads into place, fold and twist twice. Be careful to always reverse your loop in the same direction, or you can undo the previous loop. Repeat three more times. Leave three to four inches of bare wire and cut and twist the bottom wires together.
This technique can be used on the edge of a leaf, or to make a hummingbird's wings feathers and tail.
Make a changeable edge: first leave a bare line three to four inches. Make a small circle, no more than an inch of beads, twist twice and pinch. Leave 5 to 10 "separator" beads on the wire to cover the wire between the first ring and the second ring. Now, measure the two-inch beads and rub twice, keeping the ring beads different from the separation beads. Move more separator beads next to the second loop. Repeat to make bigger and smaller loops. When finished, leave a bare wire three to four inches and cut from the spool.
It's very easy to add a different look to this ring: make a three- to four-inch ring, flatten it, and give it a turn or two. This technique is used for carnations.
Add to the petals: When making the petals, leave an extra long base thread, do not bend behind the petals. Wrap a free thread on the edge of the lace around the stem of the petal and carefully match the first garland to the bottom of the outer ring of the petal. Carefully match the line to the layman. You may need to place the petals on a flat surface to do this. Bend the top base line down over the wrinkle line. If possible, hold the wires so that the wrinkles do not slide behind the petals. Carefully place the lace along the other side of the petal to match the last bead to the last bead of the petal. Add or remove loops if the fragments do not match. Wrap the free thread around the petal stem and tape. Use the rest of the petals to wrinkle the lines. For better results and to prevent gaps, use a lace thread to "sew" the lace lines onto the petals and work from the back so that the lace lines are not displayed.
Continuous surround loops are a variation of the first technique. For these, make the first loop as usual to keep it open and round. Then do a second loop around the first one. Flowers like hydrangea are made using this technique: you make a lot of units with a few petals, then combine the florets into one head and then combine the many heads into one flower. For size: measure how many beads are needed for the second line of perfect match, then remove one bead. This will encourage an attractive and natural "cupping" effect, moving the second row forward from the first row.
Continuous crossover loops are used to make flowers like daisies. Make a bead ring about 1 inch. Pinch the rings together. Bring the loaded bead wire to the front, top and back of the ring. Wrap the wire around the bottom of the ring. Continue to use the next petal that is about a quarter of an inch away. If the wires do not match the beads, you can place separator beads between the loops - for example, if you make white flowers on a gold wire. When the petals are shaped with a backward curve, the rows of pressed petals are flatter, like a natural petal.
You can place the second line on top of the first bead completely beaded, but note that the second line may scroll or pop the smaller first line. To prevent this: When you are wearing the front, tighten the beads tightly and pass the bare wire between the first rows of beads. Hold it tightly, bring more beads, tape down the back of the ornament, and wrap the wire.
Continuous loopback makes interesting leaves or petals. Make seven rows of leaves or petals, don't cut the wires. Then, the beads of about 3 inches were measured. Keep the beads tight and tight, fold the loop and twist at the bottom. Hold the loop. Wrap the wire around the bottom of the blade and extend the wire to the other side. Repeat the loop. You can make as many loops as you need to create a very unusual part. If there are enough coils, wrap the wire around the main line, cut and wrap the wire.
When making any of these looping techniques, it's important to make sure your beads are in place. Few things detract from the beauty of the beads than the beads slide and move.
Orignal From: Pearl wreath technical explanation
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